Class revision of student writing:
Lorca uses opposites to make more
complex our understanding of everyday events. More specifically,
Lorca represents a wedding as something both positive and negative.
In Act II, scene 2, a conversation takes place between the bridegroom and
his mother about the bride having a bad day. The Mother explains:
". . . A bad day? The only good one. To me it was like coming into my own"
(Lorca, Act II.ii). Here, the mother finds it odd that the bride
would be in such a terrible mood, since weddings are usually cause for
celebration. The mother believes that one's wedding day is one of
the happiest days one will have, if not the only good day. The exchange
of vows suggests a turning point in life and the moment when a woman's
purpose becomes apparent.
What contrast is taking place? Wedding as a good day versus a wedding as a bad day.
Integration of a quote:
Example:
Lorca relies on the use of contraries
to convey meaning in his tragedy, Blood Wedding (1933; 1955). In
the following passage, the Bride reflects on her passion for Leonardo and
the danger of loving him: "It's as though I'd drunk a bottle of anise
and fallen asleep wrapped in a quilt of roses. It pulls me along and I
know I'm drowning--but I go on down (Lorca, Act II.i)."
Respond to the quote . . .
II. Federico Garcia Lorca's Blood
Wedding
Act Two
Set in the bride's house out in
the desertscape of Andalusia, Spain.
Interestingly, the caves to which
Lorca refers are real--agrarian folk had used caverns for their homes.
This act features the use of contrasts.
First, the servant's joy contrasts
with the Bride's reluctance and irritation
The second song of the play announces
the impending nuptials.
The singers tell the bride to awaken
and meet the day.
The day here, and new possibilities, will contrast with the night of Act III
Orange blossoms are token of the
vows
Leonardo reveals that he had little
to offer the bride--class issues
Meanwhile, although the Bride comes
from a landholding family, she had few prospects 60
Revival of the nuptial song--use
of shepherdess and gallant to represent the bride and groom.
Emphasis on purity 61
The change from bride to wife
Importance of gift giving 63
Setting announced through stage
directions--1900
Servant's anxious wedding song--68
reveals nervousness
Argument over silver pins from
Bride's wreath--a token of the future 74
Disappearance of Leonardo and the
Bride
Act Three
Introduction of woodcutters--these
represent the views of the guests and family
second WC--wishes for the couple's
flight
third--anxious--sure that the posse
will find the lovers
Moon--appears as a woodcutter;
desires blood to keep him warm
Lorca uses the surreal here.
Beggar woman also part of surreal
landscape 84
Bride and Leonardo argue about
their fate 87
Death not shown on stage, as in
classical tragedies